Series 1 - Conversations on a Revivalist Movement
01.Chris Murray
02.Victor Rice
03.Dave Hillyard
04.Joey Altruda
05.Vic Ruggiero
Series 2 - Cut the Chit Chat
01.New Ska
02.Skinhead Reggae
03.Hard Edged Dub
04.Ska Rap
05.Ska Demos
06.Even Newer Ska
Special Episodes
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| « Aug | ||||||
| 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| 15 | 16 | 17 | 18 | 19 | 20 | 21 |
| 22 | 23 | 24 | 25 | 26 | 27 | 28 |
| 29 | 30 | |||||
Posted on May 3rd, 2008 by JJ Loy.
Categories: album review, podcasts, ska history.
Officially speaking, The Skatalites were only together from 1963 thru 1965. Since 1989, the surviving members have stayed together (to varying degrees) in response to their then growing worldwide audience. But the years between ‘65 and ‘89 weren’t completely Skatalites free. Here’s the scoop on The Skatalites’ middle period recordings.
In 1973, The Skatalites put aside their differences for at least on recording session at Lee ‘Scratch’ Perry’s Black Ark Studio. This session has been the basis for several records, all of which share duplicate tracks in various stages of remix. In a rare move by the founders, this session is not a ska set. Instead, they opted to prove that their proficiency in Roots Reggae is as unparalleled as the style they are famous for. Mittoo’s switch from piano to organ and harpsichord are a stand-out change of vibe for these releases.
Lloyd Brevett and The Skatalites - African Roots - This record features the straight-ahead, unadulterated tracks from the Black Ark sessions.
The Skatalites meet King Tubby - Heros of Reggae in Dub - The Black Ark tapes were quickly sent off to King Tubby for a Dub Version-ization.
The Skatalites meet King Tubby - Legandary Skatalites in Dub - Same idea as above, and even has some of the same cuts, but this disc is packed with even more dub reworkings at the hands of King Tubby.
Ten years later (1983) found each living member of the original band being convinced that a full scale reunion would be worth the trip back to Jamaica. Reggae Sunsplash was the main impetus behind the reformation, but several great recordings were produced in the few days leading up to the big show. Not young men, anymore, but not quite the senior citizens they are today, these middle-aged Ska legends displayed huge amounts of mastery and energy.
Stretching Out - To prepare for the Sunsplash set, The Skatalites played a small club gig to shake off any rust that might have built up in the 18 year interim. Released from their previously strict recording session limitations, and allowed to “stretch out”, this live set proves that there was no little rust to shake off in the first place. (note: The Skatalites were never paid for this recording, feel free to bootleg it)
Rolling Steady - Recorded in ‘83 but released just last year, this record features the band in Music Mountain Studios, playing mostly new and lesser known compositions. Even Lord Tanamo shows up to sing Big Trombone. Absolutely great stuff.
Return of the Big Guns - The official ‘84 album represents this iteration of The Skatalites sound. Like Rolling Steady, many of the compositions are original to the record, not retreads of their 60’s classics.
Live at Reggae Sunsplash - This is the main event- the reason for the early 80’s reunion. The full time reunion would still be six years away, but this is the show that proved how vital and necessary The Skatalites were. This was when they took their place as the founders of Ska, Rocksteady and Reggae.
If anyone knows of any more recordings from their middle period, please alert me to them.
Update: on 05/07/08 castBot 8.6 created this podcast, using only AI and an ipod.
Posted on March 27th, 2008 by JJ Loy.
Categories: Ska Online, news, video.
My last post pointed you to an upcoming Rocksteady documentary, but that is far from the only interesting documentary coming down the pike. Here’s three other projects with accompanying trailers:
Legends of Ska: The Movie
This one looks to be a similar idea as the Rocksteady doc- get all the heavy hitters from around the world, film a concert, record some music, and shoot some interviews.
The Birth of Ska in Britain
Here we have a doc that will cover the migration of Jamaican music to the UK, featuring Duke Vin, Count Suckle, and Daddy Vego, to name a few.
The Skatalites - Live in Sao Paulo
Here’s one I mentioned a few months ago. Victor Rice and the folks at Radiola Records have put together a live presentation of this not-so-original line-up. Release date is as soon as April 7.
Posted on February 24th, 2008 by JJ Loy.
Categories: news.
It’s well over a year old, but it’s news to me. This MOJO Magazine article covers the Skatalites from the Alpha Boys School up to their current legacy in JA. There’s even a special insert covering Don Drummond’s sad story, specifically.
It’s in PDF format and hosted by skatalites.com - Link to PDF
Posted on January 2nd, 2008 by JJ Loy.
Categories: album review, news.
In case you haven’t noticed, we are now living in a New Year. It’s a time to reflect on the year before, a time to ask, “what were the best Ska and Reggae albums of the past 12 months?” More importantly, it’s a time where I answer that very question, in the form of various Top 5 lists.
Top Ska Albums
Top Dub Albums
Top Early/Skinhead Reggae
Favorite Tracks
Albums Worth Mentioning
Some of these listed here are being noted for being torch carriers in other revivalist genres; and some for adeptly mixing various traditional sounds. It’s this that I look for in music, Jamaican influenced or not.
Posted on December 13th, 2007 by JJ Loy.
Categories: Ska Online, news, obits.
Here’s a quick rundown of a very busy week in the world of Ska:
After months without any new Slackers bootlegs, a new set hit the internet hit the internet like a cannonball. Recorded in Syracuse, NY on 11.15.07, the set has been dubbed Funk n’ Waffles, after the venue of the same name. I can attest to the live set’s quality, so feel safe clicking here for the .zip file, or here for the original post at Stubborn Records Forum.
Speaking of The Slackers, Dave Hillyard recently posted a very optomistic, State of the Scene-type blog post. What does he say? Ska is making a comeback. But you knew that. Link
This isn’t breaking news, but in light of Hillyard’s positive post, it serves proof of the scene’s recent strength. The popular series of Ska compilations, United Colors of Ska has just released their fourth installment, or 4.0. Much like my recent selections, the UCS folks have been using MySpace as the catalyst for finding new Ska music from around the world. Link
The Holidays are upon us (is Hanukkah really over, already?) and DC Ska is making it easy for you to find the perfect gifts for all the Ska Geeks on your list, with their handy Gift Guide. Link
Go Jimmy Go has gotten into the X-Mas mode, as well, giving us all the gift of a Holiday themed album, Holiday Hell Yeah. Link
Victor Rice is still bustin ass and maintaining his rep as the go to guy for all things Ska. Look for new recordings by Stingers ATX, Buford O’Sullivan, Chris Murray Combo, and Crazy Balhead (feat. Alex Desert, King Django, Steve Jackson, Bucket, and Vic Ruggiero) with Mr. Rice at the mixing board, next year. He’s also involved (to some degree) with a new Skatalites Live DVD.
It would seem that the rumors are sadly true, Lynette Knackstedt, founder and guitarist for Skankin’ Pickle died at the young age of 37. Here is the post where I found out. Here is Mike Parks personal blog post on the subject. And here is an odd turn of events effecting Lynette’s estate.
The other night, my roommate and all around cool guy, Jameson played about 6 Skankin Pickle songs for me and Dira at the 521A. We remarked at how long it had been since we played them. Jameson translated a few Korean lyrics for us. I commented at what a bad-ass guitarist the Pickle’s had. I would later learn that Lynette died sometime that evening. It was an eerie coincidence that my friends and I were missing Skankin Pickle while Knackstedt’s family was missing her.
Sources: DC Ska, Dancin Mood, Stubborn Forums, Asian Man Records, and Do the Dog Skazine
Posted on October 3rd, 2007 by JJ Loy.
Categories: album review.
It’s been said that The Skatalites are less of a band and more of an Institution. How does a band that has spawned countess genres and sub-genres continue to hone it’s sound, after 40 some-odd years? How does the group retain the sound and groove of the original band, while still growing musically in very subtle ways? Granted, the many line-up changes, and untimely deaths that The Skatalites have endured over the years have left a mark on the overall sound, but not always for the worse.
The new album, On the Right Track, is a great example of how this Institution should continue. Original members Lloyd Knibb and Lester Sterling have recruited veteran Jamaican musicians to fill in the sound of this presentation of all new material. The record was made in Australia, where The Skatalites immediately found inspiration for new tunes and rhythms. This is evidenced by song titles such as, Outback Ska and Uluru Rock.
Lloyd Brevett was suspiciously missing from this record, which is disappointing. I’ve always seen Brevett (along with Knibb) to be the heart of the group. It’s their bass and drum that defined ska, and I’m more than a little surprised that they would go on without him. That being said, Reggae studio bassist, Val Douglas does a great job filling Brevett’s shoes on Right Track. If anything, he’s less restrained than Brevett. In a similar scenario, the album’s finest moments come from it’s least recognized original member, Lester Sterling.
Lester was always my favorite part of the stage show, not just for the great solos, but the inventive/silly dances he’d make up on the spot. But Sterling’s legacy has been obscured by the horn giants he’s played with. Don Drummond, Tommy McCook and Roland Alphonso were tremendously influential to Jamaican music, and anything ever written about The Skatalites puts these heavies at the forefront. But Sterling stands above all others on this record, and wrote two of the tracks.
Tracks of note:
Right Track - A funky carnival organ jam with Vocals by Doreen Schafer
Doreen Special - A soft but up-tempo Ska love tune
Little Irene - One of the Lester Sterling tracks that I mentioned. Like a boat on the ocean, the song bobs and floats… so relaxing.
One Armed Bandit - There’s something comical to the mood of this one that made it stand out.
Margueita’s Lament - A Latin style Ska that you can almost Waltz to. Very serious.
Outback Dub - Dub version of Outback Ska that is not to be missed.
All in all, not the finest work by The Skatalites, but far more vital than I would have expected. Every song is fully realized and belongs on the album, which is not something I can say of every new ska record. So, despite the many line-up changes and the decades behind them, they stay The Skatalites by staying on track and always moving forward.