This Episode of Cut the Chit Chat isn’t the pretteiest or the most accessible; I’ve made- but it’s one that I’ve been dying to make for a long time. The reason being that I’m an amateur tape trader, and I get very few excuses to show off some of my rare stuff.
If you put up with the raw mixes and the loud hisses, you’ll be rewarded with alternate takes and a backwards engineered reflection of the recording process.
The introduction to the show features what can’t be aptly described as a demo, but is just as scratchy and hard to find, as anything else in the show- Bob Marley’s Rudie Cut. I started the first set off with three rare Slackers tracks that embody their early Two-Tone style, including the earliest version of You Don’t Know I, that I’ve ever heard. I keep the sound in NY for the next couple of demos by Mephiskapheles: Doomsday and My Three Favorite Americans. The first set ends with tracks from Fishbone and The Toasters, respectively. These tracks aren’t exactly rare, but might serve as a curiosity to those who haven’t heard them before.
The next set kicks off with the Violent Femmes’ Reggae-licious demo of Please Don’t Go (compare this to the original studio version to note the progress of this amazing bass solo). A pair of Hepcat demos follows, early cuts of Nigel and Take Dat. Although, these versions have never been released, you’ll find a lot of Hepcat fans already have these tracks on their ipods. The 7 Song Demo that Hepcat made for Moon Records is standard fare for Ska bootleggers. Following right behind comes some early Specials, or rather, The Coventry Automatics. This (hornless) version of Dawning of a New Era has been released dozens of times, but is very much a rough outline of the track we all know and love. And much the same could be said of the next demo track by The Clash, Rudie Can’t Fail from the Vanilla Tapes- not hard to find, but not quite ready for the big leagues.
The final tracks are what I believe will be of most interest to my listeners- but first, a bit of history: I’m sure many of you remember when the first Give ‘em the Boot compilation dropped. Nearly every track on that $5 cd was steller, but one song stood out over all the others, in my opinion. The Silencers’ Policeman was that song- ghostly and urban, the sound was very Two-Tone, faster than The Slackers but not as Punky as Rancid. The liner notes confirmed that this was a team up between Vic Ruggiero and Tim Armstrong, and promised a forthcoming album. Years go by and still no sign of a Silencers record. Ruggiero mentions in an interview, that an albums worth of songs were, in fact, recorded an are just waiting for some attention, but also, to not hold our breath. Then, about two years ago, I found (through a P2P service) a folder labeled, Life Won’t Wait Demos. Sure enough, many of the files were early demos of songs that would end up on Life Won’t wait, but the last few in the folder were unique. They would never become Rancid songs, and they featured Ruggiero more prominently. I believe this session, the Life Won’t Wait demos, to be all there is to The Silencers rumor. But please correct me if I’m wrong. This also reconfirmed a theory of mine, that Ruggiero had a great deal of influence on Rancid’s Life Won’t Wait. To finish the show, I picked two tracks from these bootlegs, the demo for Policeman and a much lower-fi version of the Rancid B-side, Brad Logan.
Also, check out the previous episode, Ska Rap, to hear another Silencer Sessions cut, Express Yourself (an NWA cover).
Oct 23 2007